“My relationship with the Czech Philharmonic began already when I was eight or nine years old. My parents gave me pocket money so I could buy recordings, and I dug into the Supraphon catalogue. That was really interesting, and the recordings in it were sometimes cheaper that those made by Western companies. That was when I discovered how unique the orchestra sounds, and especially the character of the woodwinds and the special quality of the strings. I felt like I had grown up with the Czech Philharmonic. Particularly crucial for me were the recordings of Karel Ančerl, which became a part of my artistic growth. But it was many years before I conducted that orchestra for the first time. And when that finally happened in 2019, it seemed terribly natural to me, as if I had had been standing before it since time immemorial. I fell in love with their cordiality and with their typically Czech dark humour. I instantly felt connected to the players, and I told myself: this is truly worthwhile. Already at the first rehearsal of Mahler’s Das Lied von der Erde, it was clear to me that I would want to remain in some way. Mahler must have had that sound in his ears when he wrote his symphonies. I realised right away that I want to be on the podium with these musicians, and the subsequent years when I returned to the orchestra have just confirmed that.”
– Simon Rattle
“Simon Rattle is a huge artistic asset for the Czech Philharmonic. Besides Czech music, he will work with the orchestra on Haydn, Schumann, Elgar, and French composers. I think that will greatly expand our repertoire and grow the orchestra’s artistic potential.”
– David Mareček, CEO of the Czech Philharmonic